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It is generally better to disambiguate by the artist's name than by medium, as there may be other paintings or sculptures of the same name by other artists. If the artist produced several works with the same, or very similar, titles, add the location of the work (usually a city rather than, e.g., a museum), unless it is in a private collection.
The "Page Op.", created in 1921 by Herbert Bayard Swope of The New York Evening World, is a possible precursor to the modern op-ed. [4] When Swope took over as main editor in 1920, he opted to designate a page from editorial staff as "a catchall for book reviews, society boilerplate, and obituaries". [5]
Op art is a perceptual experience related to how vision functions. It is a dynamic visual art that stems from a discordant figure-ground relationship that puts the two planes—foreground and background—in a tense and contradictory juxtaposition. Artists create op art in two primary ways.
Edwin "Ed" Mieczkowski (November 26, 1929 – June 23, 2017) was an American visual artist and painter associated with the op-art movement in the U.S. [1] He was one of the co-founders of the Anonima group along with Francis Hewitt and Ernst Benkert in Cleveland in 1960 and taught at the Cleveland Institute of Art from 1959 to 1998.
An op-ed (abbreviated from "opposite the editorial page") is an opinion piece that appears on a page in the newspaper dedicated solely to them, often written by a subject-matter expert, a person with a unique perspective on an issue, or a regular columnist employed by the paper.
Clinton noted that she ‘couldn’t break that highest, hardest glass ceiling’ in 2016 but vowed that Harris ‘can defeat Donald Trump’
The following is a list of notable op artists: Yaacov Agam (born 1928) Josef Albers (1888–1976) Richard Allen (1933–1999) Getulio Alviani (1939–2018) Edna Andrade (1917–2008) Anonima group; Richard Anuszkiewicz (1930–2020) Marina Apollonio (born 1940) Gianni Colombo (1937–1993) Carlos Cruz-Díez (1923–2019) Tony DeLap (1927–2019)
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