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He traded in his Ampeg electric upright "Baby Bass" for a Fender Precision Bass; in the early days his first bass amplifier was an Ampeg Portaflex B-15. [7] Levin's first recording was in 1968, when he and Gadd played on Diana in the Autumn Wind , Gap Mangione 's first solo album.
Funk Fingers being played by their inventor, Tony Levin. Funk Fingers are a kind of drum stick that attach to the fingers of a bass player for producing percussive, funky sounds on a bass guitar. They were created by Tony Levin (Peter Gabriel, King Crimson, Liquid Tension Experiment) and his guitar technician, Andy Moore.
[1] [5] The track is best known for its opening bass-line which features Tony Levin slapping on the strings to create a pulsating beat, and for the music video in which all four members of the band appeared.
Stick Man is Tony Levin's sixth studio album published in 2007. The album showcases Levin's skills on the Chapman Stick, as well as the electric bass and NS Upright bass. Most of the seventeen tracks are instrumental, though there are three songs with vocals by Levin. King Crimson bandmate Pat Mastelotto plays drums on eleven of the tracks.
Pieces of the Sun is bassist Tony Levin's third solo album. It is an instrumental record blending elements of jazz, progressive rock, experimental, and international music. It is an instrumental record blending elements of jazz, progressive rock, experimental, and international music.
Tony Levin – bass, Chapman stick, backing vocals; The 21st Century Guide to King Crimson Volume Two 1981–2003 – box set (2005) June 2007 – August 2008 Robert Fripp – guitar, keyboards; Adrian Belew – guitar, lead vocals, lyrics; Pat Mastelotto – drums, percussion; Tony Levin – bass, Chapman stick, backing vocals
Tony Levin playing a Stingray 5. Ernie Ball started producing a modern acoustic bass guitar in 1972 under the name Earthwood. Sterling Ball, Ernie's son, was an acquaintance of Fender and helped beta-test early Music Man models. Sterling took control of the Ernie Ball company in 1974. [3] Under Sterling's direction, Ernie Ball acquired Music Man.
The song's bass guitar part is unique in that backing bassist Tony Levin and drummer Marotta teamed up to record it. Levin handled the fingerings while Marotta hit the strings with his drumsticks, resulting in a percussive sound; it was inspired by a technique developed by Gene Krupa in the 1940s or early 1950s. [8]
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