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Op art, short for optical art, is a style of visual art that uses optical illusions. [1] Op artworks are abstract, with many better-known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images, flashing and vibrating patterns, or swelling or warping.
Victor Vasarely (French: [viktɔʁ vazaʁeli]; born Győző Vásárhelyi, Hungarian: [ˈvaːʃaːrhɛji ˈɟøːzøː]; 9 April 1906 [1] – 15 March 1997) was a Hungarian-French artist, who is widely accepted as a "grandfather" and leader [2] of the Op art movement.
The Hollow-Face illusion is an optical illusion in which the perception of a concave mask of a face appears as a normal convex face. Hybrid image: A Hybrid image is an optical illusion developed at MIT in which an image can be interpreted in one of two different ways depending on viewing distance. Illusory contours
Optical illusion is also used in film by the technique of forced perspective. Op art is a style of art that uses optical illusions to create an impression of movement, or hidden images and patterns. Trompe-l'œil uses realistic imagery to create the optical illusion that depicted objects exist in three dimensions.
Schroeder stairs can be perceived in two ways, depending on whether the viewer considers A or B to be the closer wall. Schroeder stairs (Schröder's stairs) is an optical illusion which is a two-dimensional drawing which may be perceived either as a drawing of a staircase leading from left to right downwards or the same staircase only turned upside down, a classical example of perspective ...
Art historians say Leonardo da Vinci hid an optical illusion in the Mona Lisa's face: she doesn't always appear to be smiling. There's question as to whether it was intentional, but new research ...
There are everyday examples of hidden faces, they are "chance images" including faces in the clouds, figures of the Rorschach Test and the Man in the Moon. Leonardo da Vinci wrote about them in his notebook: "If you look at walls that are stained or made of different kinds of stones you can think you see in them certain picturesque views of mountains, rivers, rocks, trees, plains, broad ...
Shepard first published this optical paradox in his 1990 book Mind Sights (page 79) giving it the name "L'egs-istential Quandary". [2] It is the first entry in his chapter on "Figure-ground impossibilities". The pen-and-ink drawing is based on a dream Shepard had in 1974, and on the pencil sketch he made when he woke up. [2]