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The Kerch style / ˈ k ɜːr tʃ /, also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC.
Every-day vases were often not painted, but wealthy Greeks could afford luxuriously painted ones. Funerary vases on male graves might have themes of military prowess, or athletics. However, allusions to death in Greek tragedies was a popular motif. Famous centers of vase styles include Corinth, Lakonia, Ionia, South Italy, and Athens. [1]
The lèbes gamikòs or "nuptial lebes" (pl.: lèbetes gamikòi) is a form of ancient Greek pottery used in marriage ceremonies (literally, it means marriage vase). [1] [2] It was probably used in the ritual sprinkling of the bride with water before the wedding. In form, it has a large bowl-like body and a stand that can be long or short.
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The Dipylon Master was an ancient Greek vase painter who was active from around 760–750 BC. He worked in Athens, where he and his workshop produced large funerary vessels for those interred in the Dipylon Gate cemetery, whence his name comes. His work belongs to the very late stage of the Geometric Style.
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Dipylon Kraters are Geometric period Greek terracotta funerary vases found at the Dipylon cemetery; near the Dipylon Gate, in Kerameikos.Kerameikos is known as the ancient potters quarter on the northwest side of the ancient city of Athens and translates to "the city of clay."
Funeral monuments from the Kerameikos cemetery at Athens. After 1100 BC, Greeks began to bury their dead in individual graves rather than group tombs. Athens, however, was a major exception; the Athenians normally cremated their dead and placed their ashes in an urn. [4]
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