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The winners of the Nature Photographer of the Year (NPOTY) 2024 competition have been announced! This prestigious event celebrates the very best in nature photography, showcasing stunning work ...
Domestication is a gradual process, so there is no precise moment in the history of a given species when it can be considered to have become fully domesticated. Zooarchaeology has identified three classes of animal domesticates: Pets (dogs, cats, ferrets, hamsters, etc.) Livestock (cattle, sheep, pigs, goats, etc.)
Nature’s Best Photography (NBP) International Awards recently announced winning and highly honored photos that are absolutely captivating. Over 25 thousand images were entered to compete in 11 ...
The images in Kern's The Sheep and the Goats monograph comprise two bodies of work depicting domesticated animals in landscape settings. "The Bovidae: Divine Animals" series (2012–6), featuring images such as Hazel, Geiranger Fjord, Norway (2013), is set in Kern and his wife's ancestral lands of Ireland, Germany, Norway and Iceland. In the ...
Because the evolution of domestic animals is ongoing, the process of domestication has a beginning but not an end. Various criteria have been established to provide a definition of domestic animals, but all decisions about exactly when an animal can be labelled "domesticated" in the zoological sense are arbitrary, although potentially useful. [45]
The wild version of the animals are native to the cliffs and mountainsides of Northern Africa, Southern Europe, and the Middle East, and that is where their tangle history with humans begins.
Domestication (not to be confused with the taming of an individual animal [3] [4] [5]), is from the Latin domesticus, 'belonging to the house'. [6] The term remained loosely defined until the 21st century, when the American archaeologist Melinda A. Zeder defined it as a long-term relationship in which humans take over control and care of another organism to gain a predictable supply of a ...
Balog used a variety of techniques to create images that illustrate the changing features of human nature, as well as humankind's increasing detachment from the natural world. The duality of the pictures, a tension between beauty and horror, mimics the ambivalence most people feel for technology. [citation needed] For the Tree series, [n 5 ...