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At least three songs from the album have entered Billboard's Philippines Songs charts: "Alam Mo Ba Girl", which has been on it for 26 consecutive weeks; "Walang Alam"; and "Sumugal". [‡ 3] After Kung Alam Mo Lang, Hev Abi continued to release singles and collaborations, starting with R&B singer Demi, on "Pakundangan". [17]
It should only contain pages that are Esther & Abi Ofarim songs or lists of Esther & Abi Ofarim songs, as well as subcategories containing those things (themselves set categories). Topics about Esther & Abi Ofarim songs in general should be placed in relevant topic categories .
"Dilaw" is three minutes and twelve seconds long, the song was produced by Nhiko Sabiniano and composed by Maki [a] and Nhiko Sabiniano. [3] It has been described to be an indie alternative track that explores themes of unconditional love, likening hope and happiness to the color yellow "as it captures the experience of finding love after overcoming a painful past".
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
Tower of Doom Music 10 Walang Kapalit: KZ Tandingan: CS Music Ayokong Masanay: Jireh Lim feat. jikamarie Warner Music Philippines Sabihin Mo: Ica Frias Off the Record: bababye: Arron Rebustes PolyEast Records: Always It's You: Jon Guelas Tarsier Records [33] Tataya: Cup of Joe Pop rock: Viva Records: Di Man Lang Sinabi: Agsunta Bauhaus tuloy ...
Nicanor Abelardo was born in San Miguel de Mayumo, Bulacan to Valentin Abelardo and Placida Santa Ana, on February 7, 1893 [1] His mother belonged to a family of artists in Guagua, the Henson.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Recently, Valera's song's have been revived as theme songs for soap operas such as ABS-CBN's Maging Sino Ka Man (which has spawned a second book, Maging Sino Ka Man: Ang Pagbabalik), Walang Kapalit, Tayong Dalawa, Agua Bendita, Juan Dela Cruz and GMA's Maging Sino Ka Man. All of these shows have turned into a massive hit, making them top-rating ...
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