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"Love Is Strong" is a song by English rock band the Rolling Stones, released as the opening track, and first single, from their 20th British and 22nd American studio album, Voodoo Lounge (1994). Issued as a single on 4 July 1994 by Virgin Records , the song preceded the release of Voodoo Lounge by a week.
The Album is the 31st studio album by English singer Cliff Richard.Released in 1993, it peaked at number one on the UK Albums Chart, [4] becoming Richard's first non-compilation or non-film soundtrack album to reach the top spot since 21 Today in 1961.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
The title is a paraphrase of a biblical quote: "Set me as a seal upon thine heart, as a seal upon thine arm: for love is strong as death; jealousy is cruel as the grave: the coals thereof are coals of fire, which hath a most vehement flame." (Song of Solomon 8:6).
The striking sound of the augmented triad lends itself to effective word painting, especially when conveying strong emotion. The first song in Robert Schumann’s song cycle Frauen-Liebe und Leben uses the chord (F ♯-B ♭-D) on the second syllable of the word “empor” to convey the intensity of the singer’s feeling for her beloved:.
"So I Can Love You" was a top 40 hit on the pop charts, peaking at No. 39, and at No. 3 on the R&B charts. [3] [4] "The Best Part of a Love Affair" peaked at No. 101 on the pop charts and at the top 40, peaking at No. 27 on the R&B charts. [5]
"Young Love (Strong Love)" is a song written by Kent Robbins and Paul Kennerley, and recorded by American country music duo The Judds. It was released in February 1989, as the first single from their album River of Time. In May, it became The Judds' 13th No. 1 hit on the Billboard magazine Hot Country Singles chart.
The album itself was a return to the band's blues roots, and co-producer Don Was said it was a manifest testament to the purity of the Stones' love for making music. [8] The Rolling Stones' version of "Hate to See You Go" is an harmonica-driven [9] call-and-response between a cyclical riff and a four-chord rhythm sequence. [10]
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