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Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia. [1]
"Chinese" is a blanket term covering many different varieties spoken across China. Mandarin Chinese is the most popular dialect, and is used as a lingua franca across China. Linguists classify these varieties as the Sinitic branch of the Sino-Tibetan language family. Within this broad classification, there are between seven and fourteen dialect ...
Munjado is a Korean decorative style of rendering Chinese characters in which brush strokes are replaced with representational paintings that provide commentary on the meaning. [2] The characters thus rendered are traditionally those for the eight Confucian virtues of humility, honor, duty, propriety, trust, loyalty, brotherly love, and filial ...
A list of Chinese symbols, designs, and art motifs, including decorative ornaments, patterns, auspicious symbols, and iconography elements, used in Chinese visual arts, sorted in different theme categories. Chinese symbols and motifs are more than decorative designs as they also hold symbolic but hidden meanings which have been used and ...
By the 20th century, Literary Chinese was distinctly different from any spoken vernacular, and had to be learned separately. [42] [43] Once learned, it was a common medium for communication between people speaking different dialects, many of which were mutually unintelligible by the end of the first millennium CE. [44] [12]
Cursive script (Chinese: 草書, 草书, cǎoshū; Japanese: 草書体, sōshotai; Korean: 초서, choseo; Vietnamese: thảo thư), often referred to as grass script, is a script style used in Chinese and East Asian calligraphy. It is an umbrella term for the cursive variants of the clerical script and the regular script. [1]
Map of the variation in the placement of animal gender markers in local Chinese dialects in the core Chinese-speaking area [140] The usual unmarked word order in Chinese varieties is subject–verb–object, with other orders used for emphasis or contrast. [141] Modifiers usually precede the word they modify, so that adjectives precede nouns. [142]
The Linguistic Atlas of Chinese Dialects (Chinese: 汉语方言地图集; pinyin: Hànyǔ Fāngyán Dìtú Jí), edited by Cao Zhiyun and published in 2008 in three volumes, is a dialect atlas documenting the geography of varieties of Chinese.
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