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The English gave back a "spear's length", leaving the two bodies spear fencing at a distance of 10–15 ft. [21] This idea of a space between the battlelines in which combat takes place also features in some reconstructions of shield wall combat. [22] Others see the clash of shield walls as involving the physical impact of one line with the ...
Despite the great influence of White's book, his ideas of technological determinism were met with criticism in the following decades. It is agreed that cavalry replaced infantry in Carolingian France as the preferred mode of combat around the same time that feudalism emerged in that area, but whether this shift to cavalry was caused by the introduction of the stirrup is a contentious issue ...
In antiquity, Germanic warriors fought mostly on foot. [29] Germanic infantry fought in tight formations in close combat, in a style that Steuer compares to the Greek phalanx. [30] Tacitus mentions a single formation as used by the Germani, the wedge (Latin: cuneus). [27] Men probably practiced the use of weapons beginning in their youth.
Heavy cavalry lacking even a single part of this combination – composed of high morale, excellent training, quality equipment, individual prowess, and collective discipline of both the warrior and the mount – would suffer in a charge against unbroken heavy infantry, and only the very best heavy cavalrymen (e.g., knights and cataphracts ...
Replicas of Celtic warrior's garments. In the museum Kelten-Keller Rodheim-Bieber, Germany. Ancient Celtic warfare refers to the historical methods of warfare employed by various Celtic people and tribes from Classical antiquity through the Migration period. Unlike modern military systems, Celtic groups did not have a standardized regular military.
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Additionally, there is overlap between weapon dance and stylized forms of stage combat, i.e., choreographed enactments of “real fights,” from bar-room brawls to sword-fighting to large-scale battle scenes. Stage combat uses the services of professionals called “fight directors,” “weapon choreographers,” etc.
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