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The alternating 9/8 and 6/8 bars create an atmosphere of wandering tenderness and uncertainty; the piece closes with a canon at the double octave then in lows fifths. Mélancolie is a sophisticated blend of textural inversion, canon and rhythmic compression that essentially determines the piece's outer envelope. [4]
I. Moderato II. Andante III. Menuetto. Allegretto – Trio (fragment) IV. Rondo. Allegro (fragment) 841 Two German Dances Zwei Deutsche April 1825 844 Waltz in G major for piano, Albumblatt: Walzer in G ♫ 16 April 1825 845 42 Sonata in A minor: Sonate in a ♫ Before the end of May 1825 9 16 I. Moderato II. Andante poco mosso III. Scherzo.
Evgeny Kissin recorded Nos. 1-2, 4-6, and 9 on the RCA Victor Red Seal label, May 16 and 17, 1988, in Watford Town Hall. The recording also includes the Piano Concerto No. 2, Opus 18, with the London Symphony Orchestra and Valery Gergiev conducting. [11] Another recording of the Op. 39 Études-Tableaux is by Alexander Melnikov on the Harmonia ...
I. Molto moderato II. Andante sostenuto III. Scherzo. Allegro vivace e con delicatezza – Trio IV. Allegro, ma non troppo; There are also some possibly lost piano sonatas: D Anh. I/8, Piano Sonata in F major (1815, lost or identical to D 157) D Anh. I/9, Piano Sonata in F major (1816, lost or identical to D 459)
No. 5 Moderato in B minor; No. 6 Allegro non troppo in E major; Book 7, Op. 85 (1834–1845) No. 1 Andante espressivo in F major; No. 2 Allegro agitato in A minor; No. 3 Presto in E-flat major; No. 4 Andante sostenuto in D major; No. 5 Allegretto in A major; No. 6 Allegretto con moto in B-flat major; Book 8, Op. 102 (1842–1845) No. 1 Andante ...
The first movement, Molto moderato, the original melody is repeated three times without not much variation and a coda at the end.The mode of this melody comes from the Dorian mode scale on C, but the accompaniment plays unrelated triad chords, all of them derived from melody notes.
Morceaux de fantaisie (French for Fantasy Pieces; Russian: Пьесы Фантазии, Pyesy Fantazii), op. 3, is a set of five piano solo pieces composed by Sergei Rachmaninoff in 1892. The title reflects the pieces' imagery rather than their musical form, as none are actual fantasies .
The Five Piano Pieces were first performed in their entirety in Autumn of 1923, in Hamburg, by Eduard Steuermann, who had also premiered the first two pieces in 1920, in Vienna. [5] They have been commercially recorded by pianists such as Glenn Gould, Claude Helffer, Paul Jacobs, Maurizio Pollini, Eduard Steuermann, and Peter Serkin. [6 ...