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"Love Is All I Got" is a song by electronic musicians Feed Me and Crystal Fighters. It was written by Sebastian Pringle, Gilbert Vierich, Graham Dickson, and Jon Gooch. [1] It was digitally released as a single on 26 October 2012 by mau5trap. [2]
"Safe with Me" is a song by American DJ and producer Gryffin and American singer-songwriter Audrey Mika. It was released on November 19, 2020, via Darkroom and Interscope Records . [ 2 ] The song was written by Gryffin, Andrew Jackson, Chris Loco , Cleo Tighe and Mika.
Calamari Tuesday is the debut studio album by Feed Me, one of the projects of British record producer Jon Gooch. The album was released on 14 October 2013 as the first release on Gooch's own label Sotto Voce. [1] [2] It entered the UK Dance Albums Chart at number 14 and the UK Albums Chart at number 144. [3]
Audrey Mika Armacost [4] grew up in Oakland, California.Her father is an American of German origin, while her mother is Japanese. [5] She grew up listening to jazz artists including Ella Fitzgerald and Louis Armstrong, and was trained in vocal jazz throughout her childhood. [6]
Jonathan Gooch first went by the name Spor when he started music production. [4] After a successful partnership with Renegade Hardware and Barcode Recordings, and releases with Teebee's Subtitles Recordings, in 2006, Spor and long-term friend Chris Renegade launched Lifted Music and signed music from producers such as Apex, Evol Intent, Ewun and Phace.
"Queen of Mean" is a song by Sarah Jeffery in her role of Princess Audrey from the Descendants 3 film and its soundtrack. [1] The song was released on August 2, 2019, along with the album. The song has reached No. 49 on the Billboard Hot 100 chart. [2] The song has also peaked at No. 57 on the Canadian Hot 100, [3] and No. 89 on the UK Singles ...
"Feed Me (Git It)", a song by Alan Menken and Howard Ashman from the 1982 musical Little Shop of Horrors "Feed Me", a song by English band Wire from the 1987 album ...
"Audrey's Dance" is a jazz piece in the cool jazz style. [1] It has also been compared to lounge music. [2] Royal S. Brown wrote that the piece has "a kind of nacht swing style that simultaneously captures the good old days the town would like to live in and the queasy angst of the modern period it is stuck with," and called it "a perfect musical translation of a major facet of Lynch's vision."