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The second campaign is set about 20 years after Vox Machina's final battle against Vecna in Critical Role ' s first campaign, [62] [63] and except for a few secondary characters has a new cast of adventurers. Most of the story takes place on the continent of Wildemount, which is located to the east of Tal'Dorei, the setting of the first campaign.
Webb served as High Priest of the Temple of Set from 1993 to 2002. [12] He is an authority regarding the Temple of Set and has published several works of non-fiction on the topic. The Temple of Set continues to publish several of his articles as recommended introductory material for prospective members. [13] [14]
The Goblin tries to convince him to join his ranks, but Hammerhead refuses as his loyalty lies solely with the "Big Man", Tombstone. Later, Goblin confronts Tombstone and steals a jump drive he is carrying, declaring that he can take it back from him later that night before he sails off on his glider. Spider-Man spots him and they begin to ...
Publishers Weekly says "Esslemont’s weird magics, intense combat, and varied characters continue to put his work at the peak of epic fantasy" but notes "extensive cast of characters and the wide scope will prevent newcomers from being able to join the story in progress."
The small goblin who stole Toby's homework and led him into the Labyrinth. A failure in the goblin army, he has become Toby's personal chef. Dingle. The little imp that rings Moppet's alarm clock. The Brick Layer. A spider-like goblin that builds the outer brick walls of the Labyrinth. His perplexing remarks help Toby learn how to maneuver ...
The story is told through unreliable narration from Jareth and a goblin named Beetleglum. Labyrinth: Coronation received mostly positive reviews from entertainment critics, who praised its artwork, characters and storytelling; however, some did not like the series' ambiguous ending.
A sort of sequel can be found in the form of a role-playing game The City in the Sea, where up to four characters must journey by submersible to the temple of the Mythos god Gloon (the malign force behind the events in "The Temple" whose human disguise is depicted by the ivory carving in that story) and end his threat to the human race.
The four eldest Walker children help Jim Brading, who has been given the sailing cutter Goblin by his uncle, make her fast when he misses his mooring buoy. In return he invites them to sail aboard Goblin. Their mother agrees - provided there is no night sailing, that they do not go outside the harbour, and that they are back the day after next.