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The arrowhead or projectile point is the primary functional part of the arrow, and plays the largest role in determining its purpose. Some arrows may simply use a sharpened tip of the solid shaft, but it is far more common for separate arrowheads to be made, usually from metal, horn, rock, or some other hard material.
Arrowhead weave. The most basic weave is called a diagonal weave, as it creates a series of parallel lines running down the length of the weave at a diagonal. Whether one weaves from left to right or from right to left does not matter, as the pattern is the same; however, the direction must stay the same or the pattern will change.
Yashodhara Agrawal, writing in an essay entitled "Mashru as a Trade Textile", translates khanjari as "dagger"—referring to a single arrowhead motif. Khanjari can also be described as a wavy line pattern. Agrawal notes that alacha or alaja was the word used for this fabric before mashru came into common use.
Levanna projectile point from central New York State. Levanna projectile points are stone projectile points manufactured by Native Americans what is now the Northeastern United States, generally in the time interval of 700-1350 AD.
A bodkin point arrowhead. A bodkin point is a type of arrowhead. In its simplest form it is an uncomplicated squared metal spike, and was used extensively during the Middle Ages. The typical bodkin was a square-section arrowhead, generally up to 11.5 cm (4.5 in) long and 1 cm (0.39 in) thick at its widest point, tapered down behind this initial ...
The broad arrow, of which the pheon is a variant, is a stylised representation of a metal arrowhead, comprising a tang and two barbs meeting at a point. It is a symbol used traditionally in heraldry, most notably in England, and later by the British government to mark government property.
However, similar patterns appear already as a common motif of 13th-century Cosmatesque inlay stonework. [19] The Apollonian gasket, named for Apollonius of Perga (3rd century BC), was first described by Gottfried Leibniz (17th century) and is a curved precursor of the 20th-century Sierpiński triangle. [20] [21] [22]
Linderman apparently selected the designs from two different patterns. [17] In June 1873, Linderman reviewed the various patterns created by Barber; he chose [18] an obverse which one contemporary reporter described as "a female figure seated on bales of merchandise, holding in her left hand a scroll bearing the word 'Liberty'. At her back is a ...
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