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The expression "Rococo" is used for much European art throughout the 18th century, including works by the Italians Giovanni Battista Tiepolo, Canaletto and Francesco Guardi and the English Thomas Gainsborough, Joshua Reynolds and the furnituremaker Thomas Chippendale.
GCSE Bitesize was launched in January 1998, covering seven subjects. For each subject, a one- or two-hour long TV programme would be broadcast overnight in the BBC Learning Zone block, and supporting material was available in books and on the BBC website. At the time, only around 9% of UK households had access to the internet at home.
Diana the Huntress - School of Fontainebleau, 1550–1560, (Louvre). The School of Fontainbleau (French: École de Fontainebleau) (c. 1530 – c. 1610) refers to two periods of artistic production in France during the late French Renaissance centered on the royal Palace of Fontainebleau that were crucial in forming Northern Mannerism, and represent the first major production of Italian ...
The art of Europe, also known as Western art, encompasses the history of visual art in Europe. European prehistoric art started as mobile Upper Paleolithic rock and cave painting and petroglyph art and was characteristic of the period between the Paleolithic and the Iron Age . [ 4 ]
Fauvism (/ f oʊ v ɪ z əm / FOH-viz-əm) is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of les Fauves ( French pronunciation: [le fov] , the wild beasts ), a group of modern artists whose works emphasized painterly qualities and strong colour over the representational ...
Leonardo da Vinci's Mona Lisa is an Italian art masterpiece famous worldwide. Considered an archetypal masterpiece of the Italian Renaissance, [1] [2] it has normally been on display at the Louvre in Paris since 1797. [3] Since ancient times, Greeks, Etruscans and Celts have inhabited the south, centre and north of the Italian peninsula ...
Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style. The styles of the Italian Rococo were very similar to those of France. The style in Italy was usually lighter and more feminine than Italian Baroque art, and became the more popular art form of the settecento.
Italian art critic Germano Celant organized two exhibitions in 1967 and 1968, followed by an influential book called Arte Povera, promoting the notion of a revolutionary art, free of convention, the power of structure, and the market place. Although Celant attempted to encompass the radical elements of the entire international scene, the term ...