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A smooth movement from one passage to another with no pause Simile: similar: Continue applying the preceding directive, whatever it was, to the following passage Stretto: tightened, strict: In a fugue, the repeating of a motif by a second voice before the first rendition is completed
a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4 ...
The area of the sliding track between these two extremes is a blend of the two channels. Crossfaders can be used to create smooth transitions between two songs on different sound inputs, or, when moved rapidly at the same time that a record is manipulated on a turntable, they can be used to create rhythmic scratching sounds and strange effects.
In the United States, "Smooth Operator" was released in February 1985, serving as the album's second US single. The song became Sade's first top-10 entry in the US, peaking at number five on the Billboard Hot 100 for two weeks in May 1985.
Smooth Operator" is a 1984 song by Sade. Smooth operator or smoothing operator may also refer to: "Smooth Operator" (Big Daddy Kane song), 1989 "Smooth Operator", a song by Sarah Vaughan released in 1959 "Smooth Operator", a song by Dorothy Dandridge recorded in 1958 but not released until 1999; A smoothing operator, used to remove noise from data
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This list contains Germanic elements of the English language which have a close corresponding Latinate form. The correspondence is semantic—in most cases these words are not cognates, but in some cases they are doublets, i.e., ultimately derived from the same root, generally Proto-Indo-European, as in cow and beef, both ultimately from PIE *gʷōus.
Smooth jazz is a term used to describe commercially oriented crossover jazz music. Although often described as a "genre", it is a debatable and highly controversial subject in jazz music circles. Although often described as a "genre", it is a debatable and highly controversial subject in jazz music circles.