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Augustine of Hippo, also known as Saint Augustine or Saint Austin, [38] is known by various cognomens throughout the many denominations of the Christian world, including Blessed Augustine and the Doctor of Grace [20] (Latin: Doctor gratiae). Hippo Regius, where Augustine was the bishop, was in modern-day Annaba, Algeria. [39] [40]
The Patron Saints of Naples Adoring Christ on the Cross; Pazzi Crucifixion; Crucifixion (Perugino and Signorelli) Saint Augustine Altarpiece (Piero della Francesca) Crucifixion Between Saints Jerome and Christopher; Pisa Altarpiece; Pistoia Santa Trinità Altarpiece; Polyptych of the Misericordia
In this view, God's divine law requires that only the sacrificial death of a perfect human can atone for Adamic sin. Faith in the ransom of Jesus Christ—the Last Adam—is regarded as the only way to atone for sin and escape death. Jehovah's Witnesses [13] and the Seventh-day Adventist Church [14] are among the denominations that hold to this ...
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
Saint Augustine (Pinturicchio) Saint Augustine Altarpiece (Huguet) Saint Augustine and Alypius Receiving Ponticianus; Saint Augustine in His Study (Botticelli, Ognissanti) Saint Augustine in His Study (Botticelli, Uffizi) St. Augustine in His Study (Carpaccio) Saint Augustine's Vision of the Christ-Child by a River; San Pietro di Muralto Altarpiece
Saint Augustine in His Study is a fresco painting of Augustine of Hippo executed in 1480 by the Italian Renaissance master Sandro Botticelli. It is in the church of Ognissanti in Florence . Botticelli was born in a house on the same street as the church, still called Via Borgo Ognissanti.
St. Augustine in His Study (also called Vision of St. Augustine) is an oil and tempera on canvas painting by the Italian Renaissance artist Vittore Carpaccio housed in the Scuola di San Giorgio degli Schiavoni of Venice, northern Italy. The painting depicts St. Augustine while he has a vision while sitting in a large room filled with objects.
St John Cassian (c. 360–435) added the fourth mode (anagogic) in 4th century. [3] His contemporary, St Augustine of Hippo (354–430) used the fourfold interpretive method in his explanation of Christian doctrine, On Christian Doctrine. Due to the widespread popularity of "On Christian Doctrine" in the Middle Ages, the fourfold method became ...