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"Amie" is a song by the American country rock group Pure Prairie League. The song initially appeared on the band's 1972 album, Bustin' Out . It was subsequently released as a single in 1975, after it gained popularity as an album cut.
Whatcha Gonna Do" was also a minor hit on the Billboard's Hot Soul Singles chart, where it peaked at #46. [5] In Canada, "Whatcha Gonna Do?" reached #1 on the pop singles chart. [6] It is ranked as the 24th biggest Canadian hit of 1977. [7] Billboard ranked it as the #16 song of 1977.
Whatcha Gonna Do may refer to: Whatcha Gonna Do? (Peter Green album) 1981; Whatcha Gonna Do? (Jayo Felony album) 1998 "What'cha Gonna Do" (The Drifters song), 1955 "Whatcha Gonna Do?" (song), a 1977 song by Pablo Cruise "What'cha Gonna Do", a 1999 song by Eternal "Whatcha Gonna Do", a 1988 demo by Alice in Chains from Music Bank
"Case of the Ex" (sometimes subtitled "Whatcha Gonna Do" [1]) is a song performed by American singer Mýa. It was written and composed by Christopher "Tricky" Stewart (with his songwriting partners Traci Hale and Thabiso "Tab" Nkhereanyne) for Mýa's sophomore studio record, Fear of Flying (2000).
"What Cha Gonna Do with My Lovin'" is a song by American singer and songwriter Stephanie Mills, released in July 1979 by 20th Century-Fox Records as the first single from the album of the same name (1979). It became a hit, reaching No. 22 on the US Billboard Hot 100. [1]
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In 1967, Minneapolis, Minnesota based garage band The Litter used the track on the LP Distortions, and as the B-side to their regional hit "Action Woman" (Warick 6712); Sex Pistols recorded a cover version of "Whatcha Gonna Do About It", [1] changing the lyrics from "I want you to know that I love you baby" to "I want you to know that I hate you baby."
"Amy" is a song by American rock band Green Day, released as the closing track on their tenth studio album ¡Dos! (2012). It was written by Billie Joe Armstrong, Mike Dirnt, and Tré Cool, and the song was produced by Rob Cavallo. "Amy" is a ballad written in tribute to Amy Winehouse, and marked a departure from the band's typical sound.