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The following is a list of commonly used chord progressions in music. ... Sound # of chords ... List of musical scales and modes; Cadence (music)
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
Mass in B minor; Orchestral Suite No. 2, BWV 1067; Prelude and Fugue in B minor, BWV 544; French Suite No. 3, BWV 814; Partita No. 1 in B minor, BWV 1002; Flute Sonata in B minor, BWV 1030; Ludwig van Beethoven. Bagatelle Op. 126/4; Allegretto WoO 61 for piano; Charles Auguste de Bériot. Violin Concerto No. 2 in B Minor, Op. 32; Alban Berg ...
Chords that are constructed of consecutive (or "stacked") thirds are called tertian. In Western classical music from 1600 to 1820 and in Western pop, folk and rock music, a major chord is usually played as a triad. Along with the major triad, the minor triad is one of the basic building blocks of tonal music and the common practice period.
In music, harmonization is the chordal accompaniment to a line or melody: "Using chords and melodies together, making harmony by stacking scale tones as triads". [2] A harmonized scale can be created by using each note of a musical scale as a root note for a chord and then by taking other tones within the scale building the rest of a chord. [3]
In music, a minor seventh chord is a seventh chord composed of a root note, a minor third, a perfect fifth, and a minor seventh (1, ♭ 3, 5, ♭ 7). In other words, one could think of it as a minor triad with a minor seventh attached to it. [2] For example, the minor seventh chord built on A, commonly written as A− 7, has pitches A-C-E-G:
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament ...
Sheila Romeo explains that "[i]n theory, any chord from any mode of the scale of the piece is a potential modal interchange or borrowed chord. Some are used more frequently than others, while some almost never occur." [1] In the minor mode, a common borrowed chord from the parallel major key is the Picardy third.
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