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The Minolta MAXXUM 7000 (7000 AF in Europe and α-7000 in Japan) 35 mm SLR camera was introduced in February 1985. It was the first camera to feature both integrated autofocus (AF) and motorised film advance, the standard configuration for later amateur and professional single lens reflex cameras.
VistaVision could be shown at widescreen aspect ratios between 1.66 and 2.00:1. VistaVision could be (and most often was) further printed down to standard vertical 35 mm reels, keeping its 1.66:1 widescreen aspect ratio, which meant that exhibitors did not need to purchase additional projection equipment, as was often required for CinemaScope.
Cameras used 35mm film running horizontally with an 8-perforation frame, double the normal size, exactly the same as VistaVision. VistaVision cameras were sometimes adapted for Technirama. Technirama used 1.5:1 anamorphic curved mirror optics in front of the camera lens (unlike CinemaScope's cylindrical lenses which squeezed the image in a 2:1 ...
This camera is still available through Panavision. Panaflex Gold (1976) Panaflex Gold II (1987) PFX-GII Golden Panaflex GII The Panaflex Gold II is a sync-sound 35 mm motion picture camera. It is capable of crystal sync at 24 and 25 or 29.97 frame/s, and the non-sync speed is variable from 4–34 fps (frames per second) according to Panavision ...
Maxxum United States Dynax European Union α (Alpha) Japan Release Year Minolta Maxxum 9000: Minolta 9000 AF: Minolta α-9000: 1985-09 Minolta Maxxum 7000 (with and without "crossed XX")
In 1956, Canon departed from the Leica II Style and developed a more contemporary look, along with a Contax style self-timer level to the left of the lens mount. This was the first Canon camera with a swing-open camera back for film loading. Upper end models had a new three-mode viewfinders and winding triggers. Canon VT (1956) Canon L2 (1957)
A Stereo Realist camera. The Stereo Realist is a stereo camera that was manufactured by the David White Company from 1947 to 1971. It was the most popular 35 mm stereo camera ever manufactured [1] and started the era of popular stereo photography of the mid 20th century.
In 2016, IMAX announced the release of films in Ultra-WideScreen 3.6 format, [6] [failed verification] with an aspect ratio of 18:5 (36:10). [7] A year later, Samsung and Phillips announced 'super ultra-wide displays', with aspect ratio of 32:9, for "iMax-style cinematic viewing". [ 8 ]