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In music, a minor seventh chord is a seventh chord composed of a root note, a minor third, a perfect fifth, and a minor seventh (1, ♭ 3, 5, ♭ 7). In other words, one could think of it as a minor triad with a minor seventh attached to it. [2] For example, the minor seventh chord built on A, commonly written as A− 7, has pitches A-C-E-G:
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
For instance, in the symbol Cm 7 (C minor seventh chord) C is the root and m is the chord quality. When the terms minor, major, augmented, diminished, or the corresponding symbols do not appear immediately after the root note, or at the beginning of the name or symbol, they should be considered interval qualities, rather
Lower mediant, midway between tonic and subdominant, (in major key) tonic of relative minor key A A♭ 8-9 7 Subtonic (minor seventh) Mixolydian One whole step below tonic in natural minor scale. B♭ 10 Leading tone (major seventh) Locrian: One half step below tonic. Melodically strong affinity for and leads to tonic B 11
Chromatic submediants, like chromatic mediants, are chords whose roots are related by a major third or minor third, contain one common tone, and share the same quality, i.e. major or minor. They may be altered chords. Submediant chords may also appear as seventh chords: in major, as vi 7, or in minor as VI M7 or ♯ vi ø 7: [8]
In the natural minor scale, the triad is a minor chord, denoted by "v". However, in a minor key , the seventh scale degree is often raised by a half step ( ♭ to ♮ ), creating a major chord . These chords may also appear as seventh chords : typically as a dominant seventh chord , but occasionally in minor as a minor seventh chord v 7 with ...
Nonchord tones in Schumann's "Reaper's Song", Op. 68, No. 18: two passing tones (p), one neighbor tone (n), and a pedal point (ped). [ 1 ] A nonchord tone ( NCT ), nonharmonic tone , or embellishing tone is a note in a piece of music or song that is not part of the implied or expressed chord set out by the harmonic framework.