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The settings of the Requiem Mass by Marc-Antoine Charpentier (H.234, H.263, H.269, H.427), Luigi Cherubini, Antonin Dvořák, Gabriel Fauré, Maurice Duruflé, John Rutter, Karl Jenkins, Kim André Arnesen and Fredrik Sixten include a "Pie Jesu" as an independent movement. Decidedly, the best known is the "Pie Jesu" from Fauré's Requiem.
Like Fauré in his Requiem, Duruflé's omits most of the liturgical Dies irae, but sets its part Pie Jesu. He includes Libera me and In Paradisum, from the burial service, again like Fauré, focused on calmness and a meditative character. The central movement, Pie Jesu, has the only solo for the mezzo-soprano.
Duruflé: Complete Choral Works is the seventh release by the choral group Houston Chamber Choir performing the unabridged choral works of composer Maurice Duruflé. Conducted by Artistic Director Robert Simpson and performed by organist Ken Cowan , the project is their first to be released under the Signum Classics label. [ 1 ]
"Maurice Duruflé", in Guide de la musique d'orgue, edited by Gilles Cantagrel. Paris: Fayard, 1991: 335–337. James E. Frazier, Maurice Duruflé: The Man & His Music Archived 5 January 2010 at the Wayback Machine (The Boydell Press 2007) Ronald Ebrecht, ed. Maurice Duruflé (1902–1986): The Last Impressionist. Lanham, MD: Scarecrow Press, 2002.
Dmitri Kabalevsky – War Requiem (Text by Robert Rozhdestvensky) Sergei Taneyev – Cantata John of Damascus, Op.1 (Text by Alexey Tolstoy) Chinese. Tyzen Hsiao – Ilha Formosa: Requiem for Formosa's Martyrs, 2001 (Text by Min-yung Lee, 1994) Fan-Long Ko – 2-28 Requiem, 2008. (Text by Li Kuei-Hsien) Xia Guan – Earth Requiem, 2009. (Text ...
Both Faure and Durufle wrote a separate movement, "Pie Jesu", for soloist; 3. Both Faure & Durufle "borrow" the "Libera me" and the "In paradisum" texts from the Burial Service (not strictly part of the Requiem Mass); 4. Both Faure's & Durufle's music retain a restrained lyricism, arising from the melodic and rhythmic inspiration (in Faure's ...
As an introduction for "Little Susie", Jackson used his own variation of "Pie Jesu" from Maurice Duruflé's Requiem. The song's accompanying album artwork resembles the painting "Beautiful Victim" by Gottfried Helnwein, which may have inspired the song. [34] Jackson admired Helnwein's work and had purchased some of his paintings.
In paradisum deducant te angeli; in tuo adventu suscipiant te martyres, et perducant te in civitatem sanctam Jerusalem. Chorus angelorum te suscipiat, et cum Lazaro quondam paupere æternam habeas requiem. "May the angels lead you into paradise; may the martyrs receive you at your arrival and lead you to the holy city Jerusalem.