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By the early 19th century, the word "mode" had taken on an additional meaning, in reference to the difference between major and minor keys, specified as "major mode" and "minor mode". At the same time, composers were beginning to conceive "modality" as something outside of the major/minor system that could be used to evoke religious feelings or ...
minor — Aeolian mode or natural minor scale: Aeolian on C. Play ... major: minor: Usual Neapolitan major scale: Neapolitan major scale on C. Play ...
Major and minor third in a major chord: major third 'M' on bottom, minor third 'm' on top. Major and minor may also refer to scales and chords that contain a major third or a minor third, respectively. A major scale is a scale in which the third scale degree (the mediant) is a major third above the tonic note.
Within the diatonic modes of the major scale, in addition to the Aeolian mode (which is the natural minor scale), the Dorian mode and the Phrygian mode also fall under this definition. Conversely, the Locrian mode has a minor third, but a diminished fifth (thus containing a diminished triad), and is therefore not commonly referred to as a minor ...
The key may be in the major or minor mode, though musicians assume major when this is not specified; for example "This piece is in C" implies that the key of the piece is C major. Popular songs and classical music from the common practice period are usually in one key. Longer pieces in the classical repertoire may have sections in contrasting keys.
The common pentatonic major and minor scales (C-D-E-G-A and C-E ♭-F-G-B ♭, respectively) are useful in modal composing, as both scales allow a melody to be modally ambiguous between their respective major (Ionian, Lydian, Mixolydian) and minor (Aeolian, Phrygian, Dorian) modes (Locrian excluded).
When the two modes are unequal the larger mode is known as the major mode and the other as the minor mode. The least frequent value between the modes is known as the antimode. The difference between the major and minor modes is known as the amplitude. In time series the major mode is called the acrophase and the antimode the batiphase ...
The circular arrangement depends on enharmonic relationships in the circle, usually reckoned at six sharps or flats for the major keys of F ♯ = G ♭ and D ♯ = E ♭ for minor keys. [3] Seven sharps or flats make major keys (C ♯ major or C ♭ major) that may be more conveniently spelled with five flats or sharps (as D ♭ major or B major).