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2 Personal life. 3 Filmography. 4 Noteworthy recordings. ... Sally "Petula" Clark (born 15 November 1932) is a British singer, actress, and songwriter.
Alan Albert Freeman, known professionally as Alan A. Freeman (27 September 1920 – 15 March 1985) [1] was an English record producer, remembered for being Petula Clark's producer from 1949 until 1963, when his role was taken over by Tony Hatch. Freeman founded the independent Polygon label and worked for its successor labels, Pye Nixa and Pye.
Carpenter's celebrity friends included Petula Clark, Olivia Newton-John, and Dionne Warwick. [ 6 ] [ 68 ] [ 69 ] While she was enjoying success as a female drummer in what was primarily an all-male occupation, Carpenter's ideas were not in line with the women's liberation movement , saying that she felt that a wife should cook for her husband ...
After her timeless tune “Downtown” played from the RV that exploded in Nashville on Christmas morning, Petula Clark on Tuesday sent well wishes to the rattled Tennessee capital. The bombing on ...
In 1957, George Hamilton IV scored a hit with Henderson and Jack Fishman's composition "Why Don't They Understand", a song they wrote about Henderson's relationship with Petula Clark. She later went on to record the song in 1965, Other artists who have recorded the song are Cliff Richard (1965), Patty Duke (1966), Frankie Avalon (1969), Bobby ...
Singer Petula Clark has issued a statement conveying her dismay at her 1960s classic “Downtown” being blared from an explosives-laden recreational vehicle before it blew up in downtown ...
the song's popularity mandates its inclusion in any concert Clark gives in the English-speaking world; Clark generally performs the song combining French lyrics with the English. the one published biography of Clark written to date (by Andrea Kon in 1983) is titled This Is My Song (W.H. Allen & Co. Ltd.).
In November 1949, Dors was contracted out to Ealing Studios, which put her in Dance Hall (1950), as one of the four female leads, along with Natasha Perry, Petula Clark, and Jane Hylton. [29] Dors later called it "a ghastly film – quite one of the nastiest I ever made", although she received good personal reviews. [30]