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The cutoff frequency is the critical frequency between propagation and attenuation, which corresponds to the frequency at which the longitudinal wavenumber is zero. It is given by ω c = c ( n π a ) 2 + ( m π b ) 2 {\displaystyle \omega _{c}=c{\sqrt {\left({\frac {n\pi }{a}}\right)^{2}+\left({\frac {m\pi }{b}}\right)^{2}}}} The wave equations ...
The half-power point is the point at which the output power has dropped to half of its peak value; that is, at a level of approximately −3 dB. [1] [a]In filters, optical filters, and electronic amplifiers, [2] the half-power point is also known as half-power bandwidth and is a commonly used definition for the cutoff frequency.
These two lines meet at the corner frequency. From the plot, it can be seen that for frequencies well below the corner frequency, the circuit has an attenuation of 0 dB, corresponding to a unity pass-band gain, i.e. the amplitude of the filter output equals the amplitude of the input.
As an example, a telescope having an f /6 objective and imaging at 0.55 micrometers has a spatial cutoff frequency of 303 cycles/millimeter. High-resolution black-and-white film is capable of resolving details on the film as small as 3 micrometers or smaller, thus its cutoff frequency is about 150 cycles/millimeter.
The stopband of a low-pass filter is the frequencies from the stopband corner frequency (which is slightly higher than the passband 3 dB cut-off frequency) up to the infinite frequency. The stopband of a high-pass filter consists of the frequencies from 0 hertz to a stopband corner frequency (slightly lower than the passband cut-off frequency).
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The transition band is defined by a passband and a stopband cutoff frequency or corner frequency. This is the area between where a filter "turns the corner" and where it "hits the bottom". An example of this can be taken from a low-pass filter , commonly used in audio systems to allow the bass signal to pass through to a subwoofer , and cut out ...