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"Alphabet" has also been called a homonymous poem collection because of its attention to vowel and consonant sounds within lines, stanzas, and across poems; or, a "systematic" poem because the author has created a system of rules to follow. Note that systematic poetry is not a formal mode of poetry, but may be used to describe the writer's process.
A quatrain is any four-line stanza or poem. There are 15 possible rhyme sequences for a four-line poem; common rhyme schemes for these include AAAA, AABB, ABAB, ABBA, and ABCB. [citation needed] "The Raven" stanza: ABCBBB, or AA,B,CC,CB,B,B when accounting for internal rhyme, as used by Edgar Allan Poe in his poem "The Raven" Rhyme royal: ABABBCC
Another example is the Old Polish poem Skarga umierającego ("Lament of Dying Man"). [10] Such poems are important historical sources on the development of a language's orthography; Constantine of Preslav's abecedarius from the 9th century, for example, documents the early Slavic alphabet. [citation needed]
An 1850 acrostic by Nathaniel Dearborn, the first letter of each line spelling the name "JENNY LIND". An acrostic is a poem or other word composition in which the first letter (or syllable, or word) of each new line (or paragraph, or other recurring feature in the text) spells out a word, message or the alphabet. [1]
Structurally, however, the poem follows the standard 7–5 pattern of Japanese poetry (with one hypometric line), and in modern times it is generally written that way, in contexts where line breaks are used. The text of the poem in hiragana (with archaic ゐ and ゑ but without voiced consonant marks) is:
Alliteration is used in the alliterative verse of Old English poems like Beowulf, Middle English poems like Sir Gawain and the Green Knight, Old Norse works like the Poetic Edda, and in Old High German, Old Saxon, and Old Irish. [3] It was also used as an ornament to suggest connections between ideas in classical Latin, Greek, and Sanskrit poetry.
It has been suggested, for example, that the poem draws on Rimbaud's memories of children's coloured cubes marked with the letters of the alphabet that he may have handled in his infancy. [10] Others have seen the influence on Rimbaud of his reading of esoteric and cabbalistic literature, [ 11 ] [ 12 ] [ 13 ] or of his own conception of the ...
In Japanese poetry, a tanka where the upper part is composed by one poet and the lower part by another. [56] techne telestich A poem or other form of writing in which the last letter, syllable or word of each line, paragraph or other recurring feature in the text spells out a word or a message. [57] tenor tercet terza rima tetrameter tetrastich ...