Search results
Results from the WOW.Com Content Network
Cinnabar has a mean refractive index near 3.2, a hardness between 2.0 and 2.5, and a specific gravity of approximately 8.1. The color and properties derive from a structure that is a hexagonal crystalline lattice belonging to the trigonal crystal system , crystals that sometimes exhibit twinning .
Pycnoporus cinnabarinus, also known as the cinnabar polypore, is a saprophytic, white-rot decomposer. Its fruit body is a bright orange shelf fungus. It is common in many areas and is widely distributed throughout the world. It is inedible. [2] It produces cinnabarinic acid to protect itself from bacteria. [3]
[2] [3] The first recorded use of "vermilion" as a color name in English was in 1289. [4] [5] The term cinnabar is used in mineralogy and crystallography for the red crystalline form of mercury sulfide HgS. Thus, the natural mineral pigment is called "cinnabar", and its synthetic form is called "vermilion" from red lead. [2]
red cinnabar (α-HgS, trigonal, hP6, P3221) is the form in which mercury is most commonly found in nature. Cinnabar has rhombohedral crystal system. Crystals of red are optically active. This is caused by the Hg-S helices in the structure. [5] black metacinnabar (β-HgS) is less common in nature and adopts the zinc blende crystal structure (T 2 ...
The Wakasugiyama Cinnabar Mine (若杉山辰砂採掘遺跡, Wakasugiyama shinshasaikutsu iseki) is an archaeological site with the traces of a late Yayoi to early Kofun period cinnabar production site, located in the Suii neighborhood of the city of Anan, Tokushima on the island of Shikoku in Japan.
Cinnabar is the common bright scarlet to brick-red form of mercury(II) sulfide. Cinnabar may also refer to: Cinnabar, the color of the mineral; Cinnabar, Queensland, a locality in the Gympie Region, Queensland, Australia; Cinnabar moth (Tyria jacobaeae), a brightly coloured arctiid moth; Cinnabar Theater, a theater in Petaluma, California, USA
Cesari did indeed paint the fresco on the vault in 1593, [notes 4] as well as two others depicting the Miracle of St. Matthew and two groups of two prophets, [2] but ultimately failed to supply any of the canvases also requested. [4] He did, however, make a preparatory drawing for the Calling of St Matthieu, but went no further. [2]
Both the Eastern practice and the later Western practice of alchemy are remarkably similar in their methods and ultimate purpose. To be sure, the desire to create an elixir of immortality was more appealing to the Taoists, but European alchemists were not averse to seeking out formulas for various longevity-boosting substances.