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The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.
The Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 ...
Louis Armstrong was the first jazz musician to record "Body and Soul", in October 1930, [2] ... The 32-bar AABA form is typical of popular songs of the time. [3]
Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs.Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues.
The song's jazz popularity was established by Benny Goodman's 1941 recording with singer Peggy Lee. Coleman Hawkins made a popular jazz version in 1943, and Charlie Parker recorded it as a ballad in 1947. [60] "I Don't Stand a Ghost of a Chance with You" [4] [61] [62] was composed by Victor Young with lyrics by Bing Crosby and Ned Washington ...
"Easy Living" is a jazz standard written by Ralph Rainger with lyrics by Leo Robin for the 1937 film Easy Living [1] [2] A popular recording of the song was released in 1937 by Teddy Wilson for Brunswick Records , [ 1 ] featuring Billie Holiday , Benny Goodman , and Lester Young .
Seven Steps to Heaven is a 32-bar composition in AABA form; it has an intro, an interlude and an ending - but these are the same. [4] It was originally played in an up-tempo swing style in the key of F Major.
The song's chorus is in a 34-bar AABA form. [1] Its chord progression (although often reduced to a standard 32-bar structure for the sake of improvised solos) is known as the " rhythm changes " and is the foundation for many other popular jazz tunes.