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Troma Entertainment is an American independent film production and distribution company founded by Lloyd Kaufman and Michael Herz in 1974. [1] The company produces low-budget independent films, or "B movies", primarily of the horror comedy genre, all geared exclusively to mature audiences.
The week's new businesses were 806 Splatter, 5020 50th St., Suite 102, and L&W Supply at 312 SE Loop 289. Next week is sure to bring new adventures that I haven't heard of yet.
Shadowbox Studios (formerly Blackhall Studios) is an American film and television production studio located southeast of Atlanta in DeKalb County, Georgia. The studio has housed productions of many films and television programs and has worked with Hollywood studios including Disney , Universal , Sony , Warner Bros. and HBO .
Splatter films, according to film critic Michael Arnzen, "self-consciously revel in the special effects of gore as an artform." [5] Where typical horror films deal with such fears as that of the unknown, the supernatural and the dark, the impetus for fear in a splatter film comes from physical destruction of the body and the pain accompanying it.
(1964), Color Me Blood Red (1965), The Gruesome Twosome (1967) and The Wizard of Gore (1970). The first splatter film to popularize the subgenre was George A. Romero's Night of the Living Dead (1968), the director's attempt to replicate the atmosphere and gore of EC's horror comics on film. Initially derided by the American press as "appalling ...
Radford Studio Center, alternatively CBS Studio Center, is a television and film studio located in the Studio City district in the San Fernando Valley of Los Angeles, California, United States. The lot has 18 sound stages from 7,000 to 25,000 square feet (700 to 2,300 m 2 ), 220,000 square feet (20,000 m 2 ) of office space, and 223 dressing rooms.
Pages in category "Splatter films" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes. ...
Splatterpunk is a movement within horror fiction originating in the 1980s, distinguished by its graphic, often gory, depiction of violence, countercultural alignment [1] and "hyperintensive horror with no limits."