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For musicians, Harlem, New York's cabarets and nightclubs shined a light on black performers and allowed for black residents to enjoy music and dancing. However, some of the most popular clubs (that showcased black musicians) were exclusively for white audiences; one of the most famous white-only nightclubs in Harlem was the Cotton Club , where ...
The control of white owned music companies was tested in the 1920s, when Black Swan Records was founded in 1921 by the African American businessman Harry Pace. Black Swan was formed to integrate the black community into a primarily white music industry, issuing around five hundred race records per year. [6]
It was not until the 1930s and 1940s that many women jazz singers, such as Bessie Smith and Billie Holiday, were recognized as successful artists in the music world. [ 71 ] [ 72 ] Another famous female vocalist who attained stardom at the tail-end of the Jazz Age was Ella Fitzgerald, one of the more popular female jazz singers in the United ...
African-American music is a broad term covering a diverse range of musical genres largely developed by African Americans and their culture.Its origins are in musical forms that developed as a result of the enslavement of African Americans prior to the American Civil War.
Archibald Motley painting Blues (1929). The Chicago Black Renaissance (also known as the Black Chicago Renaissance) was a creative movement that blossomed out of the Chicago Black Belt on the city's South Side and spanned the 1930s and 1940s before a transformation in art and culture took place in the mid-1950s through the turn of the century.
Were it not for the sacrifices of black artists, music would not be what it is today. From paving the way for future recording artists, to creating new genres, black artists have made countless ...
After the end of the Civil War, formerly enslaved people were far from free due to the Black Codes, rise of the KKK, unfair wages, red-lining and destruction of prosperous towns such as Tulsa ...
Relatively little has been written about sacred and liturgical jazz. In a 2013 doctoral dissertation, Angelo Versace examined the development of sacred jazz in the 1950s using disciplines of musicology and history. He noted that the traditions of black gospel music and jazz were combined in the 1950s to produce a new genre, "sacred jazz". [187]