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A prominent figure of the International Tap Association, he instructed tap dance at his San Francisco studio for 45 years, and was dance director for the Ice Follies (now Disney on Ice). Kahnotation was first published in 1951, with continuing refinements until his death in 1995. Kahnotation is one of the oldest dance notations in use.
Dance notation is the symbolic representation of human dance movement and form, using methods such as graphic symbols and figures, path mapping, numerical systems, and letter and word notations. Several dance notation systems have been invented, many of which are designed to document specific types of dance while others have been developed with ...
Will Mentor calls a square dance at the John C. Campbell Folk School in North Carolina. A caller is a person who prompts dance figures in such dances as line dance, square dance, and contra dance. The caller might be one of the participating dancers, though in modern country dance this is rare.
The Chicken Dance is an example of a line dance adopted by the Mod revival during the 1980s. [18] The music video for the 1990 Billy Ray Cyrus song "Achy Breaky Heart" has been credited for launching line dancing into the mainstream. [2] [19] [20] [21] In the 1990s, the hit Spanish dance song "Macarena" inspired a popular line dance. [22]
Clairaudience is essentially the ability to hear in a paranormal manner, as opposed to paranormal seeing (clairvoyance) and feeling (clairsentience). Clairaudient people have psi -mediated hearing. Clairaudience may refer not to actual perception of sound, but may instead indicate impressions of the "inner mental ear" similar to the way many ...
Shapeshifting or transformation — The ability to physically transform the user's body into anything. Telekinesis or Psychokinesis – The ability to influence a physical system without physical interaction, typically manifesting as being able to exert force, control objects and move matter with one's mind. [9]
According to tap dancer Howard “Stretch” Johnson the word "Shim" was a contraction of the term "she-him", a reference to the fact that the female chorus line dancers at the 101 Ranch were played by men. [7] At the Savoy Ballroom, some lindy hoppers did the shim sham as a group line dance, without the taps.
In ballroom dancing a "dance step" is defined as, or requires, the shifting of one's body weight from one foot to the other in time to the music. [4] "Dancing is stepping in time to the beats of the music. ... In addition to steps, there are also dance movements, such as toe touches, kicks, and hops."
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