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Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed-race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
The narrowed view of The Black Aesthetic, often described as Marxist by critics, brought upon conflicts of the Black Aesthetic and Black Arts Movement as a whole in areas that drove the focus of African culture; [35] In The Black Arts Movement and Its Critics, David Lionel Smith argues in saying "The Black Aesthetic", one suggests a single ...
From the Harlem Renaissance and the Black Arts Movement to Motown and today’s multidisciplinary explosion of talent, Black artists have always created in defiance, offering both refuge and ...
AfriCOBRA was founded on the South Side of Chicago by a group of artists intent on defining a "black aesthetic." AfriCOBRA artists were associated with the Black Arts Movement in America, a movement that began in the mid-1960s and that celebrated culturally-specific expressions of the contemporary Black community in the realms of literature, theater, dance and the visual arts. [6]
Carolyn Mims Lawrence (born 1940) is an American visual artist and teacher, known for her role in the Chicago Black Arts Movement. She earned a BFA from the University of Texas at Austin and a master's degree in 1968 from the Illinois Institute of Technology with a thesis entitled "Teaching Afro-American Culture through the Visual Arts". [1]
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
“In the 1960s, the Black power movement used it as a gesture to represent the struggle for civil rights.” Although the clenched fist would later be used by other oppressed groups, including ...
Active from the summer of 1963 through 1965, the group of artists met weekly to discuss the role of African-American artists in politics and the civil rights movement, as well as in the larger art world, [1] and organized one group exhibition. The group also discussed topics such as the African American experience and the African American image ...