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"Driftwood" is a 1978 single by the English progressive rock band the Moody Blues. It was the second single released from the album Octave , after " Steppin' in a Slide Zone ". Written by Justin Hayward , "Driftwood" is a slow love ballad, in a similar manner to " Nights in White Satin " and " Never Comes the Day ."
The careful production, layers of overdubs and lush instrumentation made the album difficult to reproduce live in concert. The Moody Blues were able to perform only "Gypsy" live at the time of its release, leading to a creative decision to strip back the production of their next album, A Question of Balance. Hayward reflects on the situation ...
"Ride My See-Saw" is a 1968 single by the English progressive rock band the Moody Blues. It was written by the band's bassist John Lodge, and was first released on the Moody Blues' 1968 album In Search of the Lost Chord. It was the second of two singles from that album, the other being "Voices in the Sky".
"Your Wildest Dreams" made the Moody Blues the first act to earn each of its first three Top 10 singles in the United States in three different decades. [14] Moraz departed in 1991, followed by Thomas in 2002. The band's last studio album was the Christmas album December (2003), after which they decided against recording any further studio ...
Although the other Moody Blues albums released in Deluxe Editions in 2006 featured their original quadrophonic mix (encoded as 5.1 surround sound), In Search of the Lost Chord had never been released in this format, and a new mix was not released until 2018 when a 5.1 mix was released as part of the 50th anniversary box set. [39]
Dreams about being chased are one of the most common dreams (or nightmares) people have, providing a haunting, panicky feeling upon waking. Whether running from another person or a powerful animal ...
"See See Rider" is a traditional song that may have originated on the black vaudeville circuit. It is similar to "Poor Boy Blues" as performed by Ramblin' Thomas. [3]Jelly Roll Morton recollected hearing the song as a young boy sometime after 1901 in New Orleans, Louisiana, when he performed with a spiritual quartet that played at funerals.
Like its predecessors, On the Threshold of a Dream is a concept album, but carries a looser theme than Days of Future Passed and In Search of the Lost Chord.The album's title reflects the hopes of the flower power zeitgeist and Woodstock free-love era, and the hope that society was on the cusp of a new era of consciousness, a new enlightenment.