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The 1999 Constitution of Venezuela declared Spanish and languages spoken by indigenous people from Venezuela as official languages. Deaf people use Venezuelan Sign Language (lengua de señas venezolana, LSV). Portuguese (185,000) [1] and Italian (200,000), [2] are the most spoken languages in Venezuela after the official language of Spanish.
A language that uniquely represents the national identity of a state, nation, and/or country and is so designated by a country's government; some are technically minority languages. (On this page a national language is followed by parentheses that identify it as a national language status.) Some countries have more than one language with this ...
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The Joropo folk dance in Venezuela is seen as a rich musical expression. This dance is greatly cherished and seen as the national dance and symbol of the nation. Joropo's known as an umbrella genre that implements a variety in dance and vocals. Music is a substantive part of Joropo, and till this day, Venezuela is not in opposition to its ...
Itoto Maimy (Cumanogota, Cumaná, Kumaná); also Chaima (Chayma), Cumanagoto, Waikeri, Palank, Pariagoto or Tamanaku is an endangered Cariban language of eastern coastal Venezuela. It is the language of the Cumanagoto people and other nations.
Main language families of South America (other than Aimaran, Mapudungun, and Quechuan, which expanded after the Spanish conquest). Indigenous languages of South America include, among several others, the Quechua languages in Bolivia, Ecuador, and Peru and to a lesser extent in Argentina, Chile, and Colombia; Guaraní in Paraguay and to a much lesser extent in Argentina and Bolivia; Aymara in ...
A characteristic common to Spanish in Venezuela, Colombia, the Dominican Republic, Cuba, and Costa Rica is the use of the diminutive-ico and -ica, instead of the standard -ito and -ita in words with -t in the last syllable: rata ("rat") becomes ratica ("little rat"). Another noteworthy diminutive is "manito," instead of the more common "manita."
The Carmañola Americana (American Carmagnole) is a revolutionary song composed circa 1797 following the model of the French Carmagnole. In context, it was composed during the independentist movement of Manuel Gual and José María España. The song incited the population to revolt against dictatorial rule, seeking for freedom and independence.