Search results
Results from the WOW.Com Content Network
A Promenade of the Hearts (Arabic: نزهة الألباب, romanized: nuzhat al-ʾalbāb) is a collection of stories, anecdotes, and poems from the Arab Middle Ages, including some poems on homosexual and lesbian themes. [1] Ahmad al-Tifashi, the compiler (1184–1253), was born in Tiffech (now in Algeria), and studied in Tunisia, Egypt and ...
The final element of courtly love, the concept of "love as desire never to be fulfilled," was also at times implicit in Arabic poetry. [ 22 ] The 10th century Encyclopedia of the Brethren of Purity features a fictional anecdote of a "prince who strays from his palace during his wedding feast and, drunk, spends the night in a cemetery, confusing ...
Discover the best free online games at AOL.com - Play board, card, casino, puzzle and many more online games while chatting with others in real-time.
Jamīl ibn 'Abd Allāh ibn Ma'mar al-'Udhrī (Arabic: جميل بن عبد الله بن معمر العذري; d.701 CE), also known as Jamil Buthayna, was a classical Arabic love poet. He belonged to the Banu 'Udhra tribe which was renowned for its poetic tradition of chaste love.
Alā yā ayyoha-s-sāqī is a ghazal (love poem) by the 14th-century poet Hafez of Shiraz. It is the opening poem in the collection of Hafez's 530 poems. In this poem, Hafez calls for wine to soothe his difficulties in love. In a series of varied images he describes his feelings.
Some muwashshah poems are devoted to a single theme while others combine multiple themes. One common thematic structure is love, followed by panegyric, and then love. [4]: 169 The kharja also plays a role in elaborating the poem’s theme. At the end of a love poem, the kharja might be voiced by the beloved.
The Ring of the Dove or Ṭawq al-Ḥamāmah (Arabic: طوق الحمامة) [1] is a treatise on love written in the year 1022 by Ibn Hazm. [1] Normally a writer of theology and law, Ibn Hazm produced his only work of literature with The Ring of the Dove. [2]
Raymond K. Farrin identifies a ring composition in the poem and divides the poem into five discrete sections: A – B – C – B¹ – A¹. [2] According to Farrin: Section A introduces the idea of the poet's separation from his beloved, Wallāda, and culminates in a mood of hopelessness and resignation. Morning is associated with this somber ...