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In poetry, metre (Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order.
Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf, but the vast majority of Old English poetry belongs to the same tradition.
Versus Galliambicus (), or the Galliambic Verse (English), is a verse built from two anacreontic cola, the second one catalectic (i.e., lacking its final syllable). [1] The metre typically has resolution in the last metron, and often elsewhere, leading to a run of short syllables at the end.
Holograph manuscript of Gray's "Stanzas Wrote in a Country Church-Yard". The poem most likely originated in the poetry that Gray composed in 1742. William Mason, in Memoirs, discussed his friend Gray and the origins of Elegy: "I am inclined to believe that the Elegy in a Country Church-yard was begun, if not concluded, at this time [August 1742] also: Though I am aware that as it stands at ...
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts):
The englyn is found in the work of the earliest attested Welsh poets (the cynfeirdd), where the main types are the three-line englyn milwr and englyn penfyr. [1] It is the only set stanzaic metre found in the early Welsh poetic corpus, and explanations for its origins have tended to focus on stanzaic Latin poetry and hymns; however, it is as likely to be a development within the Brittonic ...
The poem displays formal elements, but is not subject to one formal trope. The feet in the poem are mostly iambic, but the meter varies. There is not a defined rhyme scheme, but there are rhyming couplets appearing throughout. This homage, but not direct deference to, formality, plays off the poem's relation to (and subversion of) normal poetic ...
Her poems in this meter (collected in Book I of the ancient edition) ran to 330 stanzas, a significant part of her complete works, and of her surviving poetry: fragments 1-42. Sappho's most famous poem in this metre is Sappho 31 , which begins as follows: