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Aengus - god of passionate and romantic love, youth and poetic inspiration; Áine - goddess of parental and familial love, summer, wealth and sovereignty; Banba, Ériu and Fódla - patron goddesses of Ireland
The Celtic deities are known from a variety of sources such as written Celtic mythology, ancient places of worship, statues, engravings, religious objects, as well as place and personal names. Celtic deities can belong to two categories: general and local.
Lectures on the Origin and Growth of Religion as Illustrated by Celtic Heathendom. Williams & Norgate. OCLC 4329482. Sjoestedt, Marie-Louise (1949) [1940]. Gods and Heroes of the Celts. Translated by Dillon, Miles. Methuen. OCLC 1053150. Smyth, Daragh (1996). A Guide to Irish Mythology (2nd ed.). Irish Academic Press. ISBN 9780716526124. OCLC ...
The nuckelavee (/ n ʌ k l ɑː ˈ v iː /) or nuckalavee is a horse-like demon from Orcadian folklore that combines equine and human elements. British folklorist Katharine Briggs called it "the nastiest" [1] of all the demons of Scotland's Northern Isles. The nuckelavee's breath was thought to wilt crops and sicken livestock, and the creature ...
The name Balor may come from Common Celtic *Boleros, meaning "the flashing one". [2]In the early literature he is also referred to as Balor Béimnech (Balor the smiter), [2] Balor Balcbéimnech (Balor the strong smiter), [3] Balor Birugderc (Balor of the piercing-eye), [4] Balor mac Doit meic Néid (Balor, son of Dot son of Nét) [5] or Balor ua Néit (Balor, grandson of Nét).
Irish mythology is the body of myths indigenous to the island of Ireland. It was originally passed down orally in the prehistoric era. In the early medieval era, myths were written down by Christian scribes, who Christianized them to some extent. Irish mythology is the best-preserved branch of Celtic mythology.
The Celtic god Sucellus. Though the Celtic world at its height covered much of western and central Europe, it was not politically unified, nor was there any substantial central source of cultural influence or homogeneity; as a result, there was a great deal of variation in local practices of Celtic religion (although certain motifs, for example, the god Lugh, appear to have diffused throughout ...
Epona, the Celtic goddess of horses and riding, lacked a direct Roman equivalent, and is therefore one of the most persistent distinctly Celtic deities.This image comes from Germany, about 200 AD Replica of the incomplete Pillar of the Boatmen, from Paris, with four deities, including the only depiction of Cernunnos to name him (left, 2nd from top)