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The scale of the mandocello is longer than that of the mandolin. Gibson examples have a scale length of 24.75" (62.87 cm) but flat-back designs have appeared with both significantly shorter and longer scale lengths (27"/68.58 cm on some Vega mandocellos). Bowl-back instruments may have a shorter scale length, on the order of 22.5" (about 57 cm).
The scale length of the octave mandolin is longer than that of the mandolin, and varies more widely, from 19 inches (480 mm) to 24 inches (610 mm), with 21 inches (530 mm) being typical. The internal bracing is similar to the mandolin and mandola, with a single transverse brace on the top just below the oval sound hole.
A mandolin (Italian: mandolino, pronounced [mandoˈliːno]; literally "small mandola") is a stringed musical instrument in the lute family and is generally plucked with a pick.
The Pagani model was also one of the few eight-string mando-basses made in the US, with four double-strung courses like the European tremolo bass. Vega produced both a flat-back and a humped-back mando-bass (known as a "cylinder back"), both with a generally mandolin-shape in outline, but with markedly pointed upper bouts.
Most bluegrass mandolin players choose one of two styles. Both have flat or nearly flat backs and arched tops. The so-called a-style mandolin has a teardrop-shaped body; the f-style mandolin is more stylized, with a spiraled wooden cone on the upper side and a couple of points on the lower side.
The F-5 is a mandolin made by Gibson beginning in 1922. Some of them are referred to as Fern because the headstock is inlaid with a fern pattern. The F-5 became the most popular and most imitated American mandolin, [1] and the best-known F-5 was owned by Bill Monroe, the father of bluegrass music, who in turn helped identify the F-5 as the ultimate bluegrass mandolin.
The Algerian mandole is a stringed instrument, with an almond shaped body, built in a box like a guitar, but almond shaped like the mandola with a flat back, raised fingerboard, and wide neck (as a guitar's). [2] It can have eight, ten, or twelve strings in doubled courses, and may have additional frets between frets to provide quarter tones.
The chart shows mandolinos as predecessors to the lines of mandolins, and possible points-of-blending of instrument features. [33] In one example on Timmerman's chart, makers of the mandolino (with bridge glued to the soundboard) blended it with the chittara battuta which had a floating bridge. The floating bridge was held to the soundboard by ...
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