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At the close of In Memoriam A.H.H., Tennyson has appended a poem, on the nuptials of his sister, which is strictly an epithalamium. E. E. Cummings also returns to the form in his poem Epithalamion, which appears in his 1923 book Tulips and Chimneys. E.E.Cummings' Epithalamion consists of three seven octave parts, and includes numerous ...
Epithalamion is a poem celebrating a marriage. An epithalamium is a song or poem written specifically for a bride on her way to the marital chamber. In Spenser's work, he is spending the day anxiously awaiting to marry Elizabeth Boyle. The poem describes the day in detail.
Prothalamion is written in the conventional form of a marriage song. The poem begins with a description of the River Thames where Spenser finds two beautiful maidens. The poet proceeds to praise them and wishing them all the blessings for their marriages. The poem begins with a fine description of the day when on which he is writing the poem:
The Wedding-Guest's reaction turns from amusement to impatience to fear to fascination as the mariner's story progresses, as can be seen in the language style; Coleridge uses narrative techniques such as personification and repetition to create a sense of danger, the supernatural, or serenity, depending on the mood in different parts of the poem.
Regarded as traditionalist rather than an innovator, Jennings is known for her lyric poetry and mastery of form. [4] Her work displays a simplicity of metre and rhyme shared with Philip Larkin , Kingsley Amis and Thom Gunn , all members of the 1950s group of English poets known as The Movement . [ 4 ]
The poem was originally written in 1947 by the non-Native author Elliott Arnold in his Western novel Blood Brother. The novel features Apache culture, but the poem itself is an invention of the author's, and is not based on any traditions of the Apache , Cherokee or any other Native American culture. [ 3 ]
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[6] "The Children's Hour" has remained one of the most frequently cited favorite American poems. More recently, the poem has been called overly-sentimental, as have many of Longfellow's works. Scholar Richard Ruland, for example, warns that modern readers might find it "not only simple and straightforward, but perhaps saccharine overly ...
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