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  2. I Always Wanna Die (Sometimes) - Wikipedia

    en.wikipedia.org/wiki/I_Always_Wanna_Die_(Sometimes)

    It follows a chord progression of E5–Emaj(no3)–E6(no3)–E5. [17] The production of "I Always Wanna Die (Sometimes)" contains a heavy electronic sound, [18] composed of keyboards, cellos, violas, violins, synths, [19] melancholic acoustic guitar strums, a cascading piano, shuffling drums, crashing drum fills and waves of canned, cinematic ...

  3. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    Help; Learn to edit; Community portal; Recent changes; Upload file; Special pages

  4. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.

  5. List of solo piano compositions by Joseph Haydn - Wikipedia

    en.wikipedia.org/wiki/List_of_solo_piano...

    Sheet music for the piano sonatas: Scores at the International Music Score Library Project "Music for piano, keyboard and organ". Archived from the original on December 31, 2009. Complete recording of Joseph Haydn's Piano Sonatas on a sampled Walter fortepiano and on a sampled Steinway D

  6. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in

  7. The Saddest Song - Wikipedia

    en.wikipedia.org/wiki/The_Saddest_Song

    "The Saddest Song" is a song by The Ataris. Described as a ballad, [1] this song was released as the third and final single from their fourth album, So Long, Astoria. [2] It reached #27 on the US Modern Rock Tracks. This song was written by singer Kris Roe about being away from his daughter, Starla. He also cites his own broken childhood.

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