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From the 1920s to the 1950s it was estimated that 90 percent of the production was milk glass. [1] Westmoreland produced carnival glass beginning in 1908 and reissued novelties and pattern glass in carnival treatments in the 1970s until the plant closed in 1984. [3] Westmoreland also produced high quality hand-decorated cut glass. [1]
Milk glass pieces can range in value from $15-$25 for a small milk glass vase to hundreds of dollars for a large punchbowl set with matching cups in a highly decorative pattern in excellent condition.
Made into decorative dinnerware, lamps, vases, and costume jewellery, milk glass was highly popular during the fin de siècle. Pieces made for the wealthy of the Gilded Age are known for their strikingly delicate beauty in both color and design while Depression glass pieces of the 1930s and 1940s are less so. Milk glass clock faces at Grand ...
A milk glass version was called Orange Blossom. [60] Pyramid is a pattern name used by collectors for the Indiana Glass pattern number 610. This pattern was made from 1926 to 1932. In 1974 and 1975, reproductions were made using black and blue glass that had not been used earlier for this pattern. [61]
Hazel-Atlas made large quantities of "Depression" pressed glassware in a wide variety of patterns in the 1920s–1940s, along with many white milkglass "inserts" used in zinc fruit-jar lids, many types of milkglass cold-cream jars and salve containers, and a large variety of bottles and jars for the commercial packaging industry. "Atlas" was ...
The geometric patterns of these new designs were well suited to application utilizing the newly invented airbrush canister and stencil patterns. The Bunzlauer potteries, however, continued to use the ever-popular peacock's eye motif on their spongeware production; they simply added new design lines offering an alternative to a new generation of ...
Carnival glass was made in a wide array of colours, shades, colour combinations and variants. More than fifty have been formally classified. These classifications do not go by the surface colours showing, which can be even more varied, but by the 'base' colours of the glass before application of the iridizing mineral salts.
In 1976 the decision was made to unite the two potteries under a single name, so the Langley Pottery Ltd. and Joseph Bourne & Son collectively became Denby Tableware Ltd. By the end of the 1970s, the two potteries were beginning to report annual losses, with the result that they were both sold to the Crown House group of companies.