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"The Night Shift" is the second episode of the American murder mystery comedy-drama television series Poker Face. The episode was written by consulting producer Alice Ju and directed by series creator Rian Johnson. It was released on Peacock on January 26, 2023, alongside "Dead Man's Hand", "The Stall" and "Rest in Metal". [1]
During the Enigma shows, Gaga performs "Poker Face" as the second track of the setlist, [100] while on the Jazz and Piano show, a stripped-down piano version of the song is performed. [101] It was also performed on piano during Gaga's live-streamed concert on September 30, 2021, which was in celebration of her second collaborative album with ...
"Rest in Metal" is the fourth episode of the American murder mystery comedy-drama television series Poker Face. The episode was written by Christine Boylan and directed by Tiffany Johnson. It was released on Peacock on January 26, 2023, alongside "Dead Man's Hand", "The Night Shift", and "The Stall". [1]
"Dead Man's Hand" received extremely positive reviews from critics. Saloni Gajjar of The A.V. Club gave the episode an "A-" grade and wrote, "Poker Face is clearly Charlie's story, but each episode presents enticing and serious subplots even if we don't spend sufficient time with them. The premiere's case deals with a child pornography ring ...
"Poker Face" (Reprise) by Lady Gaga "Whatever's Left Over Polka" by "Weird Al" Yankovic; The title is a reference to Lady Gaga's song "Poker Face". On September 25, 2011, Comedy Central's website Jokes.com premiered an animated music video for this polka medley. [22] The video features a distinctive animation style for each of the segments of ...
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"Exit Stage Death" received extremely positive reviews from critics. Saloni Gajjar of The A.V. Club gave the episode an "A–" grade and wrote, "Poker Face does an excellent job of making the supporting characters feel lived in. It's the most crucial yet challenging aspect of the show because the episodes don't open with Lyonne's Charlie Cale ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
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