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"Against All Odds (Take a Look at Me Now)" received positive reviews. Danyel Smith of Entertainment Weekly wrote: "Listeners with an eye on the tabloids could read her close, ringing interpretation of Phil Collins' 1984 hit, 'Against All Odds (Take a Look at Me Now)', as a postmortem on her bittersweet affair with Yankee shortstop Derek Jeter and a poignant evocation of the couple's shared ...
"Against All Odds" was created explicitly for the film, [11] although it was based on an earlier unreleased song Collins had written in 1981. Hackford, who previously used a song for the 1982 American drama film An Officer and a Gentleman, planned the same for the neo-noir 1984 film Against All Odds, [11] which is a remake of Out of the Past.
Against All Odds: Music from the Original Motion Picture Soundtrack is the soundtrack for the 1984 film Against All Odds. The album includes the original score by Michel Colombier and Larry Carlton , as well as several tracks by artists popular at the time of the film's release.
Against All Odds is a 1984 American neo-noir romantic thriller film directed by Taylor Hackford and starring Rachel Ward, Jeff Bridges and James Woods alongside Jane Greer, Alex Karras, Richard Widmark and Dorian Harewood. The film is an adaptation of the 1946 novel Build My Gallows High by Daniel Mainwaring.
Songwriter Harlan Howard once said "country music is three chords and the truth." [2] Lou Reed said "One chord is fine. Two chords is pushing it. Three chords and you're into jazz." [3] Reed nevertheless wrote many songs with unique or complex chord progressions himself, such as the material on Berlin.
The track "Against All Odds" contains disses towards Nas, Dr. Dre, Mobb Deep, Puff Daddy, Kool G Rap, De La Soul, as well as New York hip hop executives Jimmy "Henchman" Rosemond, Jacques "Haitian Jack" Agnant and Walter "King Tut" Johnson, who were accused of being associates of Puff Daddy and Bad Boy Records in orchestrating the 1994 Quad ...
A closely related key can be defined as one that has many common chords. A relative major or minor key has all of its chords in common; a dominant or subdominant key has four in common. Less closely related keys have two or fewer chords in common. For example, C major and A minor have 7 common chords while C major and F ♯ major have 0 common ...
While some of these chords are recognizable and ubiquitous, many others are unusual or rarely used. Although this list enumerates only trichords containing the note C, the number of all possible trichords inside a single octave is 220 (the binomial coefficient of picking three keys out of twelve).