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The Iglesia del Dios Vivo, Columna y Apoyo de la Verdad, La Luz del Mundo (Spanish: [iˈɣlesja ðel ˈdjos ˈβiβo koˈlumnaj aˈpoʝo ðe la βeɾˈðað la ˈlus ðel ˈmundo] ⓘ; English: "Church of the Living God, Pillar and Ground of the Truth, The Light of the World")—or simply La Luz del Mundo (LLDM)—is a nontrinitarian Christian denomination in the Restorationist tradition, with ...
Flor y Canto Segunda Edición is a hymnal which includes 737 hymns and songs in Spanish in a variety of styles, representing music from the Americas, Mexico, Spain, Guatemala, Nicaragua, and Puerto Rico. 'Flor y Canto' is Spanish for 'flower and song'. Flor y Canto Segunda Edición was compiled by Rodolfo López. The second edition was ...
Chants d'Espagne, Op. 232, (Spanish: Cantos de España, English: Songs of Spain) is a suite of originally three, later five pieces for the piano by Isaac Albéniz. Prélude (later known as Asturias (Leyenda)), Orientale and Sous le palmier were published in 1892, and Córdoba and Seguidillas were added in the 1898 edition. According to Günter ...
Seis canciones castellanas is a collection of 6 songs for voice and piano by Spanish Basque composer Jesús Guridi. They were inspired by traditional songs collected by Cesáreo Garda in Candeleda in 1936 for the movie La malquerida (based on the 1913 play of the same title by Jacinto Benavente ).
Siete Canciones populares Españolas ("Seven Spanish Folksongs") is a 1914 set of traditional Spanish songs arranged for soprano and piano by the composer Manuel de Falla. Besides being Falla's most-arranged composition and one of his most popular, it is one of the most frequently performed sets of Spanish-language art songs .
De la Sierra Morena, Cielito lindo, vienen bajando Un par de ojitos negros, Cielito lindo, de contrabando. Estribillo: Ay, ay, ay, ay, Canta y no llores, Porque cantando se alegran, Cielito lindo, los corazones. Pájaro que abandona, Cielito lindo, su primer nido, Si lo encuentra ocupado, Cielito lindo, bien merecido. (Estribillo) Ese lunar que ...
This album mixes tropical rhythms with urban sounds. He cites the influence for had been born in a capital city from Bogotá, Colombia; very far from the sea.The style of the album includes pure vallenato, latin pop and disco in a unique fusion.
The preface to the hymnal describes itself as "a collection of the best hymns in the English language." [2] Much of the contents was used for the first time at St Mary's, Primrose Hill, in north London [3] [4] and the hymnbook could be considered a musical companion to The Parson's Handbook, Dearmer's 1899 manifesto on English church ceremonial, vestments and furnishings.