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Digital photo of Kearny Generating Station, converted to black and white in Lightroom, with color channels adjusted to mimic the effect of a red filter. 1968 group portrait of a Swedish musical's cast. Black-and-white photography is considered by some to be more subtle and interpretive, and less realistic than color photography.
Stephanie, Cindy, Christy, Tatjana, Naomi, Hollywood is a black and white photograph taken in 1989 by photographer and director Herb Ritts (American, 1952–2002). The subject of the photograph is a group of five women coyly entwined together in an embrace.
Lightroom is non-destructive editing software that keeps the original image separate from its edits, saving the edited image as a new file. While Photoshop includes doctoring functions like adding, removing or altering the appearance of individual image items, rendering text or 3D objects on images, or modifying individual video frames, Lightroom is a library and development software.
Sepia toning is a specialized treatment to give a black-and-white photographic print a warmer tone and to enhance its archival qualities. The metallic silver in the print is converted to a sulfide compound, which is much more resistant to the effects of environmental pollutants such as atmospheric sulfur compounds.
American film and television studios terminated production of black-and-white output in 1966 and, during the following two years, the rest of the world followed suit. At the start of the 1960s, transition to color proceeded slowly, with major studios continuing to release black-and-white films through 1965 and into 1966.
Columbia Pictures (CST Entertainment Imaging, Inc.) [440] The Man Who Came to Dinner: 1942: 1988: Turner Entertainment [441] The Man with Nine Lives: 1940: 1994: Columbia Pictures (CST Entertainment Imaging, Inc.) [442] Manhattan Melodrama: 1934: 1990: Turner Entertainment [443] Mark of the Vampire: 1935: 1993: Turner Entertainment [444] [445 ...
There’s something inherently seductive about the glitz and glamour of Old Hollywood. Perhaps it’s the backstage intrigue and the tawdry tales of showbusiness hedonism that draws us in again ...
Black and white negative film for motion pictures. 16mm, 35mm КН-4С (KN-4S) 500/28° Black and white negative film for motion pictures. 16mm, 35mm НК-2Ш (NK-2Sh) 100/21° Black and white negative film for motion pictures. 16mm, 35mm А-2Ш (A-2Sh) 400/27° Black and white negative film for motion pictures. 16mm, 35mm К3-63 (K3-63) n/a