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"Dejection: An Ode" is a poem written by Samuel Taylor Coleridge in 1802 and was published the same year in The Morning Post, a London daily newspaper. The poem in its original form was written to Sara Hutchinson, a woman who was not his wife, and discusses his feelings of love for her.
20th-century literary critics often categorise eight of Coleridge's poems (The Eolian Harp, Reflections on having left a Place of Retirement, This Lime-Tree Bower my Prison, Frost at Midnight, Fears in Solitude, The Nightingale: A Conversation Poem, Dejection: An Ode, To William Wordsworth) as a group, usually as his "conversation poems".
A Desultory poem, written on the Christmas Eve of 1794 "This is the time, when most divine to hear," 1794-6 1796 [Note 9] Monody on the Death of Chatterton. "O what a wonder seems the fear of death," 1790-1834 1794 The Destiny of Nations. A Vision "Auspicious Reverence! Hush all meaner song," 1796 1817 Ver Perpetuum. Fragment from an ...
The poem also attacks Coleridge in a masochistic manner and places the writer and his own ideas in an inferior position. One such emphasis was on Wordsworth being able to find bliss from solitude and Coleridge being unable to find anything but pain, which is a dominant theme within his poetry. [7] The poem serves to contrast Coleridge and ...
When Coleridge's Poems on Various Subjects was reviewed, few reviewers paid attention to Lines Written at Shurton Bars. [15] John Aikin, in the June 1796 Monthly Review, states, "The most of [the 'poetical Epistles'], addressed to his 'Sara', is rather an ode, filled with picturesque imagery: of which the follow stanzas [lines 36–60] compose a very striking sea-piece". [16]
Instead, there is a search for such a feeling but the poem ends without certainty, which relates the ode to Coleridge's poem Dejection: An Ode. [36] When read together, Coleridge's and Wordsworth's poem form a dialogue with an emphasis on the poet's relationship with nature and humanity.
Poems on Various Subjects (1796) was the first collection by Samuel Taylor Coleridge, including also a few sonnets by Charles Lamb.A second edition in 1797 added many more poems by Lamb and by Charles Lloyd, and a third edition appeared in 1803 with Coleridge's works only.
When Southey wished to print a revised version of the poem for a work on Chatterton, Coleridge wrote: [3] on a life and death so full of heart-going realities as poor Chatterton's, to find such shadowy nobodies as cherub-winged Death , Trees of Hope , bare-bosomed Affection and simpering Peace , makes one's blood circulate like ipecacuanha.