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William Abadie (or Abadie William Jean Louis) (born 16 February 1977) is a French actor. [1] He is best known for his roles in television series such as Gossip Girl (2007–2009), Sex and The City (2003), Homeland (2013), The O.C. (2006), Ugly Betty (2006) and Emily in Paris (2020–present).
On September 24, 2024, The Athletic, in partnership with The New York Times Games, launched a sports edition of Connections in beta. The sports edition features the same gameplay as the regular version, with each grouping sports-themed. [13] [14] The game was officially launched on February 9, 2025, to coincide with Super Bowl LIX.
The New York Times ' theatre critic Mel Gussow has called Arrabal the last survivor among the "three avatars of modernism". In 1962, Arrabal co-founded the Panic Movement with Alejandro Jodorowsky and Roland Topor , inspired by the god Pan .
The Pont Alexandre III (French pronunciation: [pɔ̃ alɛksɑ̃dʁ tʁwa]) is a deck arch bridge that spans the Seine in Paris. It connects the Champs-Élysées quarter with those of the Invalides and Eiffel Tower. The bridge is widely regarded as the most ornate, extravagant bridge in the city.
Afrikaans; Аԥсшәа; العربية; Aragonés; Asturianu; Azərbaycanca; বাংলা; Беларуская; Български; Català; Čeština; Cymraeg
The Pont au Change (French pronunciation: [pɔ̃t‿o ʃɑ̃ʒ]) is a bridge over the Seine River in Paris, France. The bridge is located at the border between the first and fourth arrondissements. It connects the Île de la Cité from the Palais de Justice and the Conciergerie, to the Right Bank, at the Place du Châtelet.
Raphaël Lenglet (born 21 October 1976) is a French actor. [1] He is best known for his starring roles in French police television series. On Les Bleus he plays small-time hood turned rookie policeman, Alex Moreno and on Candice Renoir he portrays Capitaine Antoine Dumas.
Plaque dedicated to the Théâtre Libre, its actor-director André Antoine, and its performers in Montmartre, Paris. Antoine founded the Théâtre Libre in Paris in 1887. This was a théâtre d'essai, a workshop theatre, where plays were produced whether they would perform at the box office or not. It was also a stage for new writing whose ...