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Música popular brasileira (Portuguese pronunciation: [ˈmuzikɐ popuˈlaʁ bɾaziˈlejɾɐ], Brazilian Popular Music) or MPB is a trend in post-bossa nova urban popular music in Brazil that revisits typical Brazilian styles such as samba, samba-canção and baião and other Brazilian regional music, combining them with foreign influences, such as jazz and rock.
La Música No Se Toca (English: The music is not played) is the tenth studio album recorded by Spanish singer-songwriter Alejandro Sanz. It was produced by himself alongside Colombian Grammy award winner Julio C. Reyes. It was released by Universal Music Latino and Universal Music Spain on September 25, 2012. [1]
While the majority of lexical differences between Spanish and Portuguese come from the influence of the Arabic language on Spanish vocabulary, [1] [2] most of the similarities and cognate words in the two languages have their origin in Latin, [3] meaning that both languages share many common root-word.
Algorithmic composition is the technique of using algorithms to create music.. Algorithms (or, at the very least, formal sets of rules) have been used to compose music for centuries; the procedures used to plot voice-leading in Western counterpoint, for example, can often be reduced to algorithmic determinacy.
¡Que viva la música! (Published in English as: Liveforever [ 1 ] ) is a novel by the Colombian writer Andrés Caicedo , one of his most important works and considered by many observers as a masterpiece of modern Colombian literature.
Carolina Maria de Jesus (14 March 1914 [1] – 13 February 1977 [2]) was a Brazilian outskirts memoirist who lived most of her life as a slum-dweller. She is best known for her diary, published in August 1960 as Quarto de Despejo (lit.