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Muqi, Detail of dusk over fisher's village, from the handscroll "Eight Views of Xiao and Xiang", circa 1250, Collected in Nezu Art MuseumMuqi or Muxi (Chinese: 牧谿; Japanese: Mokkei; 1210?–1269?), also known as Fachang (Chinese: 法常), was a Chinese Chan Buddhist monk and painter who lived in the 13th century, around the end of the Southern Song dynasty (1127–1279).
Arnau Cadell (fl. 12th–13th century) Benedetto Antelami (c. 1150 – c. 1230) Gislebertus (fl. 12th century) Hegvald (fl. c. 1175–1200) Horder (fl. 12th century) Master of Cabestany (fl. second half of the 12th century) Byzantios (fl. c. 1175–1200) Majestatis (fl. second half of the 12th century) Master Mateo (c. 1150–c. 1200 or c. 1217)
Ma Lin (simplified Chinese: 马麟; traditional Chinese: 馬麟; pinyin: Mǎ Lín; Wade–Giles: Ma Lin) (c. 1180 – after 1256 [1]) was a Chinese court painter during the Song dynasty active during the early to mid 13th century. [2] He was the son of the famous Chinese painter Ma Yuan, [3] from whom he learned the art of painting. [4]
Both paintings feature an angel playing music, in keeping with the tradition of medieval representations of angel musicians. [1] The figure of the angel musician dates back to the 13th century. It has evolved over the centuries to proclaim the glory of an illustrious figure from the Bible, such as the Virgin Mary, Mother of God.
1271 – Amerus, Practica artis musicae. [5]1274 – Elias Salomo, Scientia artis musicae. [6]1279 – Anonymous of St Emmeram, De musica mensurata (Munich, Bayerische Staatsbibliothek, Cod. Lat. Mon. [Cim.] 14523), one of the two main treatises on the theory of Notre Dame polyphony.
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