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"Against All Odds" was created explicitly for the film, [11] although it was based on an earlier unreleased song Collins had written in 1981. Hackford, who previously used a song for the 1982 American drama film An Officer and a Gentleman, planned the same for the neo-noir 1984 film Against All Odds, [11] which is a remake of Out of the Past.
"Against All Odds (Take a Look at Me Now)" received positive reviews. Danyel Smith of Entertainment Weekly wrote: "Listeners with an eye on the tabloids could read her close, ringing interpretation of Phil Collins' 1984 hit, 'Against All Odds (Take a Look at Me Now)', as a postmortem on her bittersweet affair with Yankee shortstop Derek Jeter and a poignant evocation of the couple's shared ...
"Against All Odds (Take a Look at Me Now)" Music and Lyrics by Phil Collins: Nominated [12] Golden Globe Awards: Best Original Song: Nominated [13] Grammy Awards: Song of the Year "Against All Odds (Take a Look at Me Now)" – Phil Collins Nominated [14] Best Pop Vocal Performance, Male: Won
Against All Odds is an album by double bassist Curtis Lundy. It was recorded on April 1 and 2, 1999, at Sound on Sound Studios in New York City, and was released later that year by Justin Time Records .
Against All Odds: Music from the Original Motion Picture Soundtrack is the soundtrack for the 1984 film Against All Odds. The album includes the original score by Michel Colombier and Larry Carlton , as well as several tracks by artists popular at the time of the film's release.
In major keys, the chords iii and vi are often substituted for the I chord, to add interest. In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means ...
A closely related key can be defined as one that has many common chords. A relative major or minor key has all of its chords in common; a dominant or subdominant key has four in common. Less closely related keys have two or fewer chords in common. For example, C major and A minor have 7 common chords while C major and F ♯ major have 0 common ...
The dominant is, in its normal form, a major triad and commonly a dominant seventh chord. With the addition of chord alterations, substitutions, and extensions, limitless variations exist on this simple formula. The ii–V–I progression is "a staple of virtually every type of [Western] popular music", including jazz, R&B, pop, rock, and ...
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