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You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
Vic Chesnutt, a folk singer discovered by R.E.M.'s Michael Stipe, recorded a very loose cover of the song for the 1992 R.E.M. tribute album Surprise Your Pig. Newfoundland folk-rockers Great Big Sea covered the song on their 1997 album Play under the title "End of the World".
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Braille music is a complete, well developed, and internationally accepted musical notation system that has symbols and notational conventions quite independent of print music notation. It is linear in nature, similar to a printed language and different from the two-dimensional nature of standard printed music notation.
"For All We Know" is a soft rock song written for the 1970 film Lovers and Other Strangers, with music by Fred Karlin and lyrics by Robb Wilson and Arthur James (Jimmy Griffin). Both Royer and Griffin were founding members of the soft rock group Bread. It was originally performed, for the film's soundtrack, by Larry Meredith. [1]
The term note can refer to a specific musical event, for instance when saying the song "Happy Birthday to You", begins with two notes of identical pitch. Or more generally, the term can refer to a class of identically sounding events, for instance when saying "the song begins with the same note repeated twice.
Song. Published. 1934 by Leo Feist, Inc. Composer (s) J. Fred Coots. Lyricist (s) Sam M. Lewis. " For All We Know " is a popular song published in 1934, with music by J. Fred Coots and lyrics by Sam M. Lewis. Popular versions in 1934 were by Hal Kemp (vocal by Skinnay Ennis) and Isham Jones (vocal by Joe Martin).
The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1] It resembles the Roman numeral [2] and figured bass systems ...
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